Chaos, a lifeless hump which existed before the era of gods. It was merely a concept not a god which is a crucial difference that must be made clear before I can proceed. Therefore “it” was not personalized like the later Gods were, neither has it an embodiment like for example Zeus or Aphrodite. Out of this Chaos, life and earth came forth. These first concepts who came forth out of the Chaos: Nyx (night) , Tartaros (the underworld), Gaea (the earth) and Eros (love) were also still concepts. But from these four, the first generation of embodied Gods came forth (fe. Kronos).
A lifeless lump, unfashion’d, and unfram’d,
Of jarring seeds; and justly Chaos nam’d.
No sun was lighted up, the world to view;
No moon did yet her blunted horns renew:
Nor yet was Earth suspended in the sky,..”
-Ovid; Metamorphoses, first book –
It’s important to note the difference between the Biblical story of Genesis and the beginning of ‘life’ as written down by the ancient Greeks and romans. The biggest ‘confusion’ lies in the fact that the world, earth or life – as told to us by the ancients – was not “created” , therefore there was no higher being, no God who molded the world (to his example – cf. Genesis). Instead, the world ‘gave birth to itself’. It came forth out of what they called ‘Chaos’ (which was ‘a gaping hole’, it was nor masculine nor female – it had no sex). So in that way it’s considerable that all the needed structures to build up life, to create the world were already contained inside of the Chaos but in a messy kind of way.
Arne Quinze, a Belgian conceptual artist who’s work mainly relates to the social interaction, communication and urbanisation of art. He believes that by placing art in a common environment like a park or such, the public, the people passing by, get educated and involved into the world of culture. There’s no more hiding from art, it’s no longer concealed in a dark museum which is rarely visited by the ‘commoners’. Therefor he places art right in front of their faces which leaves them no choice: they can either like or dislike it, but the interaction is inevitable.
“There’s no chaos, only structure” is a tagline in some of his work expressing his inner self and how he describes his thoughts. To him there is no chaos, everything is structured even in the chaos you find structure. (remember Ovid’s Metamorphoses, where in structure already was concealed inside of the Chaos). There’s no such thing as chaos in Quinze’s world or at least not in the sense of how society defines chaos. Chaos does exist, as a form of structure. Chaos is irretrievably linked with life. In life everything is a matter of rhythm. Something without a rigid structure is part of the organic order in life. (Again think about how the ancients described it). So the link between both is rather inevitable. As chaos housed structure and life. Arne Quinze’s ‘chaotic’ structures house people, house life. They shelter life, they form a meeting space, a social environment in what at first looked as a chaotic swarm of people passing by each other randomly. It brings them together. It brings art and life together. It reminds the people of their biggest accomplishment; culture.
“There’s no chaos, only structure”
Earlier posts featuring Arne Quinze: https://whatsaboutart.wordpress.com/2012/06/29/cities-like-open-air-museums-beaufort-04-1/